There are no windows, so the wind runs through the rooms - because those guys don’t feel cold anyway, right? It’s dark, it’s gray, it’s scary, and it’s cold. I was really impressed by all those drawings, especially those of Kaer Morhen, which was really something. Usually, when you do a period piece or fantasy or sci-fi show, there are already people on board who have worked on the research and designed stuff, so you get a very comprehensive vision of what the world could be or should be. When I started prep, Andrew Laws, the production designer, had already made some very beautiful, amazing concept drawings of what Kaer Morhen should be.
What sort of direction and input were you given when it came to bringing Kaer Morhen to the screen? There are some amazing new locations introduced in Season 2, including Kaer Morhen. Fans are always going to expect an homage to the games, but I think you do need to step out of that at some point and do your own thing. Obviously, because of that storytelling and writing, my influences on that episode were closer to Beauty and the Beast and the fairytale genre rather than the game.
In some ways, it was starting from a blank page, especially for the first episode, which is quite fairytale-like. That was in the early stage of prep, and then I tried to step out of that and get inspiration from other stuff, too, so it can have its own identity without being influenced too much by the games. Romain Lacourbas: It’s interesting because I didn’t play the game myself, but I went through a bunch of images and YouTube stuff on the game, just to get a feeling for its atmosphere. How does that relationship between all the existing material settle out on your side of things? But fans’ visual expectations for it are often shaped by the video games. In an interview with Digital Trends, Lacourbas shared some of his experiences working on Season 2 of The Witcher, which included the production of the fairytale-inspired premiere, the introduction of Kaer Morhen, and the climactic season finale.ĭigital Trends: The Witcher is so unique in that the story is so informed by the books.
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Led by showrunner and series creator Lauren Schmidt, the team tasked with bringing the world of The Witcher to life in season 2 included cinematographer Romain Lacourbas ( Marco Polo) and a long list of new and returning names both behind the camera and in front of it. The second season of The Witcher brought fans deeper into the show’s world of terrifying creatures and deadly political machinations, and introduced audiences to the witchers’ hidden sanctuary, Kaer Morhen, among other fantastic - and dangerous - locations. Delayed due to the pandemic, Season 2 of The Witcher finally premiered in December 2021 and brought Geralt of Rivia - Henry Cavill’s gruff, monster-hunting hero - back for more adventures. Fitbit Versa 3Īfter Season 1 of The Witcher turned into a runaway hit for Netflix - becoming one of the most-watched series on the streaming service soon after its premiere - fans had to wait nearly two years for the second season.
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